"Super-Toys Last All Summer Long" is an intriguing short story by Brian Aldiss for several reasons. First, it's an interesting story in its own right. Second, it has a very interesting Biblical tie-in, and third, it's the basis for Steven Spielberg's SF film, A. I.: Artificial Intelligence. I will focus on the short story now and leave the film for the next post. There's a lot to say about the film, so I don't want to end up with a monstrous post.
Aldiss' story is split into two narrative lines. One is of Henry Swinton, Managing Director of Synthank, who gives a speech at an elaborate luncheon for the company directors, to celebrate the launching of its new product, an intelligent robot.
The second narrative line takes place at Henry Swinton's home, where his wife and his son, three-year-old David, are having problems communicating with each other. Neither seems to be able to get through to the other, which leads to considerable frustration for both.
Spoiler Warning: I will bring up significant plot elements and discuss the ending.
The narrator lets the reader know a few paragraphs into the story just what Monica's feelings are.
"She had tried hard to love him."
She is not a cruel or abusive mother; she just can't love him the way a mother should, or at least the way Monica thinks she should. On the other hand, David finds it impossible to talk to her and attempts to express his feelings by writing to her. He finds that impossible also, and fears that she won't even be able to understand what he has written.
Although Aldiss tends to be a bit ambiguous, the answer to the puzzle is revealed at the end. Monica ecstatically greets Henry when he comes home. They have received a letter from the Ministry of Population. After four years of waiting, they have been granted their greatest wish: they have received permission to have a child. The population is so great that parents have to gain government permission to have a child. Now, they can finally have a child. What is David?
The following conversation comes immediately afterwards:
"'What do we do about them?' Henry asked.
'Teddy's no trouble. He works well.' [Teddy is a walking, talking synthetic toy, in the shape of a teddy bear.]
'Is David malfunctioning?'
'His verbal communication-center is still giving trouble. I think he'll have to go back to the factory again.'
'Okay. We'll see how he does before the baby's born.'"
David is also a super-toy, just like Teddy, and while Aldiss does not spell this out, David appears to be a substitute for a real flesh-and-blood child. Considering the difficulties in communication and the narrator's initial remark that Monica tried hard to love him, I think that once David goes back to the factory, the Winstons will leave him there. Once the desired child has arrived, a substitute becomes a burden, especially if it isn't really appreciated. Even if David remains, he won't be their son, but a super-toy perhaps for their projected child.
This tale, I believe, echoes the Biblical story of Abraham, Sarah, Hagar, Ishmael, and Isaac. Both Abraham and Sarah are very old, long past the usual childbearing age, yet God has promised Abraham that he would be the father of a great people.
Sarah, despairing of having a child, tells Abraham to go with her servant, Hagar, and get a child. Abraham does and Sarah immediately repents of what she has done. She is cruel to Hagar and God has to intervene, both to tell Hagar to stay and to tell Sarah that she should not mistreat Hagar and to have faith for she shall have a child. Hagar stays and gives birth to Ishmael. Shortly afterwards, Sarah becomes pregnant and gives birth to Isaac. Determined that her son Isaac shall be Abraham's only heir, she tells Abraham to drive Hagar and Ishmael out into the wilderness. Again, a substitute child becomes inconvenient and unwanted.
God == Ministry of Population
Abraham == Henry Swinton
Sarah == Monica Swinton
Abraham and Hagar == Ishmael
Abraham and Sarah == Isaac
Henry Swinton and the company that manufactures super-toys == David
Henry and Monica == their potential child
Aldiss' story provides the basis for the first part of Steven Spielberg's film, A. I. : Artificial Intelligence. Spielberg then moves to a different story for the inspiration of the second part of the film, that of Pinocchio, the story of a wooden puppet who went on a quest hoping to find the Blue Fairy who can turn him into what he most desperately wants to be, a real human boy. But, that's a different post.
P.S.
A comment by Chimpsky, see below, pointed out something I had missed in the story--the irony that not only the flowers in the garden but also the many of the features of the house are also artificial or an illusion, and this is considered normal by both the husband and the wife. The only exception is the boy, whom she tried to love but couldn't. I wonder if this is a holdover from the Frankenstein's Monster theme, in which our creations one day might destroy us.
Welcome. What you will find here will be my random thoughts and reactions to various books I have read, films I have watched, and music I have listened to. In addition I may (or may not as the spirit moves me) comment about the fantasy world we call reality, which is far stranger than fiction.
Showing posts with label Frankenstein's Monster theme. Show all posts
Showing posts with label Frankenstein's Monster theme. Show all posts
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