The Tempest: Act IV Scene 1
Prospero: Be cheerful, sir:
Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp'd towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.
-- WS --
Note: The first mention of The Tempest is in the royal Account Books of the Revels Office: On Hallowmass night, November 1st 1611, a play called the "Tempest" was performed before that most cultured of kings, James 1.
line 8, inherit--occupy
line 10, rack--cloud
If and when I decide to end blogging, this will be my last post.
Welcome. What you will find here will be my random thoughts and reactions to various books I have read, films I have watched, and music I have listened to. In addition I may (or may not as the spirit moves me) comment about the fantasy world we call reality, which is far stranger than fiction.
Showing posts with label SHAKESPEARE William. Show all posts
Showing posts with label SHAKESPEARE William. Show all posts
Tuesday, November 1, 2016
Wednesday, December 10, 2014
Another Dream?
From Life is a Dream
We live, while we see the sun,
Where life and dreams are as one;
And living has taught me this,
Man dreams the life that is his,
Until his living is done.
The king dreams he is king, and he lives
In the deceit of a king,
Commanding and governing;
And all the praise he receives
Is written in wind, and leaves
A little dust on the way
When death ends all with a breath.
Where then is the gain of a throne,
That shall perish and not be known
In the other dream that is death?
Dreams the rich man of riches and fears,
The fears that his riches breed;
The poor man dreams of his need,
And all his sorrows and tears;
Dreams he that prospers with years
Dreams he that feigns and foregoes,
Dreams he that rails on his foes;
And in all the world, I see,
Man dreams whatever he be,
And his own dream no man knows.
And I too dream and behold,
I dream and I am bound with chains,
And I dreamed that these present pains
Were fortunate ways of old.
What is life? a tale that is told;
What is life? a frenzy extreme,
A shadow of things that seem;
And the greatest good is but small,
That all life is a dream to all,
And that dreams themselves are a dream.
-- Pedro Calderon de la Barca (1600-1681)
from his play Life is a Dream
trans. Arthur Symons
And speaking of plays and dreams, one mustn't forget Shakespeare. Here Prospero refers to the illusions he's created for his daughter's wedding . . .
Prospero:
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and our little life
Is rounded with a sleep.
The Tempest. Act 4, scene 1
. . . what else could he have in mind?
Monday, January 13, 2014
Emily Dickinson
This is another of Emily Dickinson 's many poems on death. It focuses on death as a being restful, a safe shore--a common theme in her poetry.
4
On this wondrous sea
Sailing silently,
Ho! Pilot, ho!
Knowest thou the shore
Where no breakers roar --
Where the storm is o'er?
In the peaceful west
Many the sails at rest --
The anchors fast --
Thither I pilot thee --
Land Ho! Eternity!
Ashore at last!
-- Emily Dickinson --
The Complete Poems of Emily Dickinson
Edited by Thomas H. Johnson
Poem 4, pages 6-7
Death here is seen as a safe harbor, welcomed after the storm of life--one of the most common themes found in her poetry. I found the reference to the "peaceful west" also intriguing. Perhaps it has to do with the image of the setting sun, signalling the end of the day, which is also a common image used by many poets--our life span seen as a day. For example, one finds this in Shakespeare's Sonnet LXXIII; in fact both the setting sun and the west are present.
"In me thou see'st the twilight of such day
As after sunset fadeth in the west;
Which by and by black night doth take away,
Death's second self, that seals up all in rest."
Although the poet is not speaking directly of death, death is lurking in the background for this time is that time just before death, the twilight of one's life. And, we see similar elements here: a time of rest and a reference to the west.
While I am clearly in the autumn of my days, I am not looking forward to a rest, just yet.
4
On this wondrous sea
Sailing silently,
Ho! Pilot, ho!
Knowest thou the shore
Where no breakers roar --
Where the storm is o'er?
In the peaceful west
Many the sails at rest --
The anchors fast --
Thither I pilot thee --
Land Ho! Eternity!
Ashore at last!
-- Emily Dickinson --
The Complete Poems of Emily Dickinson
Edited by Thomas H. Johnson
Poem 4, pages 6-7
Death here is seen as a safe harbor, welcomed after the storm of life--one of the most common themes found in her poetry. I found the reference to the "peaceful west" also intriguing. Perhaps it has to do with the image of the setting sun, signalling the end of the day, which is also a common image used by many poets--our life span seen as a day. For example, one finds this in Shakespeare's Sonnet LXXIII; in fact both the setting sun and the west are present.
"In me thou see'st the twilight of such day
As after sunset fadeth in the west;
Which by and by black night doth take away,
Death's second self, that seals up all in rest."
Although the poet is not speaking directly of death, death is lurking in the background for this time is that time just before death, the twilight of one's life. And, we see similar elements here: a time of rest and a reference to the west.
While I am clearly in the autumn of my days, I am not looking forward to a rest, just yet.
Sunday, October 30, 2011
William Shakespeare: Sonnet LXXIII
One of my favorite sonnets by Shakespeare
Sonnet LXXIII
That time of year thou mayst in me behold,
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs, where late the sweet birds sang.
In me thou seest the twilight of such day,
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou seest the glowing of such fire,
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consumed with that which it was nourished by.
This thou perceiv'st, which makes thy love more strong,
To love that well which thou must leave ere long.
The images in this sonnet are simple and striking and apt: autumn, twilight, and the dying embers of a fire to symbolize one's later years. I realize others may differ, but I consider the first four lines-- autumn--to be among the best, if not the very best, in Shakespeare's sonnets.
Sonnet LXXIII
That time of year thou mayst in me behold,
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs, where late the sweet birds sang.
In me thou seest the twilight of such day,
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou seest the glowing of such fire,
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consumed with that which it was nourished by.
This thou perceiv'st, which makes thy love more strong,
To love that well which thou must leave ere long.
The images in this sonnet are simple and striking and apt: autumn, twilight, and the dying embers of a fire to symbolize one's later years. I realize others may differ, but I consider the first four lines-- autumn--to be among the best, if not the very best, in Shakespeare's sonnets.
That time of year thou mayst in me behold,
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs, where late the sweet birds sang.
What are your favorite lines from Shakespeare?
What are your favorite lines from Shakespeare?
Wednesday, April 13, 2011
Shakespeare: In memoriam, 1564--April 13, 1616
Sonnet LXXXI
Or I shall live your epitaph to make,
Or you survive when I in earth am rotten;
From hence your memory death cannot take,
Although in me each part will be forgotten.
Your name from hence immortal life shall have,
Though I, once gone, to all the world must die:
The earth can yield me but a common grave,
When you entombed in men's eyes shall lie.
Your monument shall be my gentle verse,
Which eyes not yet created shall o'er-read:
And tongues to be your being shall rehearse,
When all the breathers of this world are dead;
You still shall live--such virtue hath my pen--
When breath most breathes, even in the mouths of men.
"Your name from hence immortal life shall have,
Though I, once gone, to all the world must die:
The earth can yield me but a common grave,
When you entombed in men's eyes shall lie.
Your monument shall be my gentle verse,"
I don't know the name of the person this sonnet celebrates, but Shakespeare's "gentle verse" proved to be his own monument in the end.
Or I shall live your epitaph to make,
Or you survive when I in earth am rotten;
From hence your memory death cannot take,
Although in me each part will be forgotten.
Your name from hence immortal life shall have,
Though I, once gone, to all the world must die:
The earth can yield me but a common grave,
When you entombed in men's eyes shall lie.
Your monument shall be my gentle verse,
Which eyes not yet created shall o'er-read:
And tongues to be your being shall rehearse,
When all the breathers of this world are dead;
You still shall live--such virtue hath my pen--
When breath most breathes, even in the mouths of men.
"Your name from hence immortal life shall have,
Though I, once gone, to all the world must die:
The earth can yield me but a common grave,
When you entombed in men's eyes shall lie.
Your monument shall be my gentle verse,"
I don't know the name of the person this sonnet celebrates, but Shakespeare's "gentle verse" proved to be his own monument in the end.
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