Lawrence Durrell
Justine
As many have said before and many will repeat in the future, one of the joys and benefits of rereading some works is the discovery of the "new" or actually unnoticed elements in the work. Sometimes the "new" brings out new themes or motifs in the work. Sometimes it forces a re-thinking about of the work. This is rare, but it does occur, and this is what has happened with this rereading. In spite of three? or four? readings, I never noticed this before or never realized the significance of it.
Justine is Darley's attempt to reconstruct the events of his life in Alexandria and make sense of it. It is flashback, but with a very interrupted and convoluted narrative. He does not go back and start with his arrival in Alexandria and move forward in a chronological straightforward way to the present. Instead, it is almost impossible to construct a chronology without considerable effort, and perhaps considerable guesswork by the reconstructor. I had always taken this as an example of what many modern writers insist is the way that memories work--not in a chronological fashion, but somewhat randomly and those random memories bring up related memories. This is what it seemed was happening in Justine. But, then I read this, seemingly for the first time.
(What I most need to do is to record experiences, not in the order in which they took place--for that is history--but in the order in which they first became significant for me.)
If this is so, then the events presented us are those which became significant in his reconstruction of his past life in Alexandria, and are not simply the random productions of memory. I don't have time now, but I shall leave a note for my next rereading of Justine. I wonder how this will affect my reading.