This is another of the quatrains that Edward FitzGerald added to the Second Edition of his version of the Rubaiyat. It's a familiar theme, one brought out previously and linked to the quatrain preceding this one.
SECOND EDITION: QUATRAIN LXVIII
The Revelations of Devout and Learn'd
Who rose before us, and as Prophets burn'd,
Are all but Stories, which, awoke from Sleep
They told their fellows, and to Sleep return'd.
FIFTH EDITION: QUATRAIN LXV
The Revelations of Devout and Learn'd
Who rose before us, and as Prophets burn'd,
Are all but Stories, which, awoke from Sleep,
They told their comrades, and to Sleep return'd.
Aside from the comma added at the end of line three and the change from "fellows" to "comrades," the Fifth Edition is identical to the Second. The comma may simply be a correction wherein the printer missed it in the Second Edition. Perhaps there is an emotional connection to others suggested by "comrades" and possibly lacking in "fellows" is the reason for the change. I do not see that it makes any great change in the overall point of the quatrain.
Those "Revelations" refer back to the previous quatrain, to the claims of what lies ahead for us after death. As the Poet has mentioned in previous quatrains, nobody really knows what follows, if anything, death. That those "Stories" are told after the Devout and Learn'd Prophets have awakened from sleep suggest that they may simply be dreams. But, the wide-spread acceptance of these Stories tells us that many people prefer dreams to uncertainty.
Showing posts with label After Life. Show all posts
Showing posts with label After Life. Show all posts
Wednesday, July 6, 2016
Wednesday, November 4, 2009
AFTER LIFE: A Film
A strange film that I just recently viewed is After Life--perhaps puzzling would be a better term. It's a quiet film, a Japanese production, with no car chases or shootouts or violence of any kind. I'm still not sure what to make of it, but it definitely is staying with me. The Japanese title is Wandafuru raifu, which, translated, means "wonderful life." Perhaps the one who selected the English title didn't want viewers to confuse it with It's A Wonderful Life, the Christmas standby with Jimmy Stewart. Hirokazu Koreeda both wrote and directed the film which came out in 1998.
The premise is simple: after death, people go to a way station where they will spend a week. During the first three days, they go over their memories and decide which one memory they will keep to remember for all eternity. They will forget everything else, except for that one chosen memory. The following day or so is spent with the stage crew creating the scenery for the filming of the re-enactment of that memory. On the last day, they will view the film made of that re-enactment and leave immediately for wherever it is they will go, sans all memories except for that one.
The film opens with a bright white light-filled archway, which reminded me of many accounts given by people who had experienced a "near death experience" (NDE). The people emerge from the archway and report in at a desk. They are directed to a large room, and there are told what the schedule will be for the coming week. The new arrivals are assigned to a counselor who will help them decide on the memory they will choose and also work on getting as many of the details of that particular memory.
The style suggests a documentary about this particular way station and a group of people who just happen to be there at that time. The counselors are young men, in their twenties with perhaps one in his early thirties. That this is an all male staff of counselors appears to be an accident, for the counselor trainee is a young woman who is promoted to counselor at the end. The Boss is an older man.
The film follows the group of new arrivals as they attempt to decide which one memory they will choose. We see interactions among them as well as their sessions with their counselors. There are also flashbacks in some cases. In fact one man doesn't believe he has any happy memories, so, to aid him, he is given tapes of his life, one tape for every year of his life.
We also see the counselors "off duty" as they interact among themselves, for these are not angels or spirits but human beings, with all the faults of human beings. The counselors are those who have died and either could not or would not choose one memory. As a result, they must stay on as counselors until they themselves are ready to choose.
The way station appears to be a dilapidated school building, and all are wearing street clothing. It appears to be simply a group of people engaged in normal everyday activities. The only deviation from the mundane ordinariness of life is the light-filled archway they all come through.
One point I found puzzling was the ages of the counselors and the new arrivals. The ages of the new arrivals ranged from around 15 or 16 to at least 70 and possibly older. There were no children. Perhaps it was just coincidence that this group had no children in it. As I mentioned before, the counselors all seemed to be in their 20s. Was this also a coincidence or is the director suggesting that people in this age bracket have more difficulties choosing than those younger or older than them? One of the new arrivals simply refused to make a choice, saying he wanted to accept responsibility for his whole life, not just one small part of it. And, his counselor then told him that that's why he was a counselor, for he also refused to choose one memory.
Overall Rating: It's back in my queue, for I want to see it again, sometime in the near future, after I've thought about it for awhile.
The premise is simple: after death, people go to a way station where they will spend a week. During the first three days, they go over their memories and decide which one memory they will keep to remember for all eternity. They will forget everything else, except for that one chosen memory. The following day or so is spent with the stage crew creating the scenery for the filming of the re-enactment of that memory. On the last day, they will view the film made of that re-enactment and leave immediately for wherever it is they will go, sans all memories except for that one.
The film opens with a bright white light-filled archway, which reminded me of many accounts given by people who had experienced a "near death experience" (NDE). The people emerge from the archway and report in at a desk. They are directed to a large room, and there are told what the schedule will be for the coming week. The new arrivals are assigned to a counselor who will help them decide on the memory they will choose and also work on getting as many of the details of that particular memory.
The style suggests a documentary about this particular way station and a group of people who just happen to be there at that time. The counselors are young men, in their twenties with perhaps one in his early thirties. That this is an all male staff of counselors appears to be an accident, for the counselor trainee is a young woman who is promoted to counselor at the end. The Boss is an older man.
The film follows the group of new arrivals as they attempt to decide which one memory they will choose. We see interactions among them as well as their sessions with their counselors. There are also flashbacks in some cases. In fact one man doesn't believe he has any happy memories, so, to aid him, he is given tapes of his life, one tape for every year of his life.
We also see the counselors "off duty" as they interact among themselves, for these are not angels or spirits but human beings, with all the faults of human beings. The counselors are those who have died and either could not or would not choose one memory. As a result, they must stay on as counselors until they themselves are ready to choose.
The way station appears to be a dilapidated school building, and all are wearing street clothing. It appears to be simply a group of people engaged in normal everyday activities. The only deviation from the mundane ordinariness of life is the light-filled archway they all come through.
One point I found puzzling was the ages of the counselors and the new arrivals. The ages of the new arrivals ranged from around 15 or 16 to at least 70 and possibly older. There were no children. Perhaps it was just coincidence that this group had no children in it. As I mentioned before, the counselors all seemed to be in their 20s. Was this also a coincidence or is the director suggesting that people in this age bracket have more difficulties choosing than those younger or older than them? One of the new arrivals simply refused to make a choice, saying he wanted to accept responsibility for his whole life, not just one small part of it. And, his counselor then told him that that's why he was a counselor, for he also refused to choose one memory.
Overall Rating: It's back in my queue, for I want to see it again, sometime in the near future, after I've thought about it for awhile.
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