Showing posts with label favorite novels. Show all posts
Showing posts with label favorite novels. Show all posts

Monday, January 15, 2018

Favorite novels read in 2017

  
Listed in alphabetical order by author:



Willa Cather:                         Youth and the Bright Medusa
--cheating here, for this is a collection of excellent short stories
--first reading


Walter van Tilburg Clark:     The Track of the Cat
--a reread
--a tense tale of the hunter becoming the hunted
--a great novel from a sadly neglected novelist




Joseph Conrad:                      Victory
 --a reread
 --he had a rule:  don't get involved
--but sometimes .  .  .

 
Lawrence Durrell:                 The Alexandria Quartet
--a reread
--four novels that could be read as one


William Golding:                   The Spire
--a reread
--the effects of an obsession on the obsessed and bystanders




Russel Hoban:                       Turtle Diary
--a reread
--a quiet novel about a turtle that became a quiet film starring Glenda Jackson 
   and Ben Kingsley
--the ending is not the expected ending




Nikos Kazantzakis:                Toda Raba
 --first reading
 --the pilgrimages of various believers to an international conference in Moscow in the    late 1920s.


Thomas Mann:                      Royal Highness
 --a reread
--changing times in a German principality pre-WWI
--an early plea for careful use of natural resources



Chaim Potok:                         The Chosen
--first reading
--in his late teens, a son rejects his father's plans for his future.
--two very different sons with different backgrounds  and their friendship


Vita Sackville-West:             All Passion Spent
 --first reading
--now that she's a widow, she has some ideas about how to spend her days
--much to the dismay of her children.


Leo Tolstoy:                           Hadji Murad
 --first reading

 

Anthony Trollope                  The Fixed Period
--a reread
--it's a crime to grow old



Angus Wilson:                     Anglo-Saxon Attitudes
--a reread
--a professor of anthropology gains insight into his personal problems
--he didn't realize how much trouble this would cause those about him. 


It must mean something:  of the thirteen books listed, only five are new reads and only two of the authors are new to me.



Tuesday, August 29, 2017

Lawrence Durrell's The Avignon Quintet: an overall view (my view anyway)

The Avignon Quintet  (five novels)


Monsieur
Livia
Constance
Sebastian
Quinx  


The following quotation from Constance provides a glimpse into the workings of  The Avignon Quintet. 

"If real people could cohabit with the creatures of their imagination--say, in a novel--then what sort of children would be the fruit of their union: changelings?"


Lawrence Durrell
"The Avignon Quintet" (aka The Quincunx)

The following is my reading of the structure of  "The Avignon Quintet."  I don't know if it will make sense to anybody else, but it helps me keep the characters and events of the Quintet straight.    FL is the abbreviation for Fiction Level.


FL0:  Lawrence Durrell, the Person.

FL1:  Lawrence Durrell, the Novelist.   I read somewhere that the Person creates a fictional construct who is the writer, sometimes referred to as the second self or the implied author.  So, Lawrence Durrell, the Novelist, is a creation of of Lawrence Durrell, the Person, and it is this fictional construct who wrote  "The Avignon Quintet."   One might wonder about the common practice of pseudonyms or aliases adopted by many writers in this context.


FL2:  The Avignon Quintet:

Monsieur, the first novel, has a unique structure. It has five parts.  These five parts constitute the external or the Durrell Monsieur.   I call the first four parts the internal or Blanford Monsieur.  These four parts  contain the story of  Piers, Sylvia, and Bruce.  The fifth part of the Durrell or external Monsieur introduces the reader to Aubrey Blanford, who has "written" the internal Monsieur


The remaining four novels tell the reader of the lives of Aubrey Blanford and those around him.  As the readers go through these four novels, they see how Blanford has modified and combined the personalities of the people he knows and the events of their lives to create the characters in the first four parts of Monsieur.  
  
Major Characters in the Avignon Quintet:  Aubrey Blanford, Constance, Hillary, Sylvia,  Sam 



FL3:  Monsieur or The Prince of Darkness  (the internal or Blanford Monsieur)

This is the internal novel "written" by Aubrey Blanford.  It takes up the first four parts of the external or Durrell Monsieur.  The three most significant characters are Piers de Nogaret, his sister Sylvie, and Bruce Drexel, the narrator of the internal novel.  The three share a long, complex, and intimate relationship.  

Important characters:  Piers, Sylvie, Bruce, Sutcliffe, Pia, Toby,


What is most confusing is that the reader encounters FL3, the internal Monsieur, first and, moreover, doesn't realize what is going on until Part 5 when Aubrey Blanford is introduced.  At this point the reader then moves from FL3 to FL2.


But, these fiction levels are permeable.  Characters from FL3 frequently cross the line and interact with characters in FL2.  Some examples--

FL2:   Aubrey Blanford talks to Sutcliffe, the novelist he created in Monsieur, the internal novel.  At times it's difficult to determine whether Sutcliffe is only Blanford's sounding board, existing only in his mind, or whether Sutcliffe has  somehow become an independent person at Blanford's level. However, in Constance, the third novel in the Avignon Quintet,  Constance meets Sutcliffe and Pia, who have now  moved from FL3 to FL2. 

FL3:  Sutcliffe, a character in Blanford's internal novel,  says he wrote a novel about Bruce, Piers, and Sylvie.  His novel  begins with the same words that Blanford begins his novel, the internal Monsieur in FL2.

While reading the Quintet, I couldn't help thinking about Philip K. Dick, the SF writer who delights in creating works in which the boundary between reality and fantasy blurs and frequently disappears.

To add to the fun, Durrell sends several of his characters to Alexandria during WWII and also brings  in several characters from The Alexandria Quartet: Pursewarden and Melissa, while two members of the British military in Egypt, Maskelyne and Telford, make brief appearances. The two series, The Alexandria Quartet and The Avignon Quintet, overlap chronologically, both taking place during WWII.


Some of the themes and issues brought up in The Avignon Quintet

--the German occupation of France during WWII
--Gnosticism
--the Knights Templar and their lost treasure
--various forms of love
--Provence and Alexandria, although Provence is the place where most of the novels take place
--Freud and psychoanalytic theory

I find The Avignon Quintet a complex and, at times, a confusing work, which may account for much of my interest in it.  I've now read it at least twice, and possibly three times now.  No doubt, I shall reread it in the near future.

I hope I haven't confused you too much.

Tuesday, July 19, 2016

Jane Austen's EMMA; a brief personal reaction

Jane Austen
Emma

This is probably my fourth? fifth? reading of Emma.  I am now in midst of my regular rereading of Austen's works, but I probably won't post extensively on them, mainly because I can't step back sufficiently to comment coherently.  But, occasionally a thought may strike me, as it has just recently while reading Pride and Prejudice.  This will be a much, much shorter post, just an odd thought.

In the spirit of the novel, here's a riddle (well, maybe not a riddle):


Mr. Knightly (George) got the wife he wanted, but she was not the best wife for him.

Frank Churchill got the wife he wanted, but she wasn't the wife he deserved.

Emma Woodhouse got the husband she wanted, but he wasn't the husband she deserved.

Jane Fairfax got the husband she wanted, but he was not the best husband for her.



Comments?

Friday, June 3, 2016

Jane Austen: Predator and Prey

Don't know why, but upon re-reading P and P for the x? time, I suddenly saw a new title for the novel: Predator and Prey.  The first sentence is what started me thinking:

 It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.

   
The second paragraph is even more specific actually:
"However little known the feelings or views of such a man may be on his
first entering a neighbourhood, this truth is so well fixed in the minds
of the surrounding families, that he is considered the rightful property of some one or other of their daughters."

The phrase "the rightful property of some one or other of their daughters" started me thinking: "rightful property" or prey?  This focus on one of the most famous openings in English literature caused me to see the book in a slightly different way, which resulted in a new title:  Predator and Prey.  Who are the predators and who are the prey.  This resulted in a new perspective as I then began to look at each of the characters to see which role they played.  Some even play both. 

I also paid a bit more attention to Caroline, the unmarried Bingley sister, this time.  Once she senses Darcy's interest in Liz, the claws come out.  Caroline's senses are sharp and sensitive, very necessary for a predator to know when a suspected competitor invades her territory.  However, this different view of the novel also had a surprising effect in that I now viewed Caroline in a much more sympathetic light.  More about that later.



Following is a cast of the main characters and a brief statement regarding my take on their roles in the novel.  Feel free to disagree.


Mr. Bennet: prey-- He was caught and trapped when young by a pretty face.

Mrs. Bennet:  predator--she caught Mr. Bennet and is now on the hunt for her daughters.


Jane:  prey,  not really on the hunt for a husband, potential predator.

Elizabeth: prey,  not really on the hunt for a husband, but could be a potential predator.

Lydia:  predator,  attracted by red coats of officers

Wickham:  predator, searching for a rich woman to marry

Col. FitzWilliam:  predator, see Wickham

Darcy:  prey

Bingley: prey, target of local mothers

Miss Caroline Bingley: predator, on the prowl for Darcy

Georgiana:  prey, with Wickham as a past predator

Mr. Collins:  predator and prey, looking for a wife, becomes Charlotte's target.  Or, as we used to say back in the Dark Ages, "He chased her until she caught him."


Some brief observations:

Lizzie is hard on Charlotte but excuses Wickham and FitzWilliam

Older sons are prey while younger sons are predators, who are forced into those roles because of the culture and the tradition of primogeniture--oldest sons inherit everything in order to keep the family estate intact. Therefore the oldest son is a great catch (prey) , while the younger sons are forced to find an occupation (military or the church) or marry a woman with a large dowry who can support them (predator).  The oldest son can also be a predator if familial pressures causes him to search for a wife who has wealth and perhaps a title, which would be ideal.  Either or both could enhance the family's position in society.

Some critics and readers have dismissed Austen's works as light-hearted romances with the same theme: a young woman out to get a husband, and in spite of the usual obstacles, manages to get her man and live happily ever after.
This may be true on a surface level, but underneath there is a very serious struggle taking place.

The right marriage is not just a road to everlasting bliss but a means of survival for many of Austen's heroines, and heroes also, as it was true for many in the 17th through the 19th centuries.  Many, especially in the middle class, would be doomed to a life of penury or maybe worse, a life dependent upon the good will and generosity of relatives and friends.  Limited as they were by the strictures of their society (as we also are today--even if we don't see it), jobs were unavailable or unthinkable for many.  Marriage to a suitably wealthy individual was the only solution.

And that poses the problem--making a choice, if one were lucky enough to have choices.  Who to choose to spend a lifetime with?  P. D. James, one of my favorite mystery writers in an interview said that Jane Austen was her favorite author, and that, if Austen were writing today, she would be writing mysteries.

Consider--what is the task of the detective in a mystery story--stripping away the public persona to get at the suspect's real character.  What is the task of the wise young woman or man in choosing a mate?  Isn't it the same?  In fact, that is the task of all of us, knowingly or not, of finding out just what are our acquaintances really like and how many would make good and trustworthy friends. 

As for that "living happily ever after" myth, Austen doesn't believe in it, and it shows at the conclusion of most of her novels.  It may be a good match, but unending  bliss is not in the cards.

Just a few thoughts about the far too few works by one of my all-time favorite authors.


Monday, February 1, 2016

Favorite novels read in 2015

The following is a list of the novels that I had read in 2015 that impressed me the most among all the others I had read. 


NEW READS

Anthony Powell:        A Dance to the Music of Time  (twelve novels)

Sarah Orne Jewett:    The Country of Pointed Firs and Other Stories

Harper Lee:                 Go Set a Watchman

Tsao Hsueh-chin:        Dream of the Red Chamber (aka The Story of the Stone)




REREADS

Dostoyevsky:              The Gambler, The Double,  Notes from Underground

Jane Austen:               Pride and Prejudice

Balzac:                         The Black Sheep

Mikhail Bulgakov:      Heart of a Dog



It doesn't appear to be a long list, but Anthony Powell's series consists of twelve novels.