Showing posts with label the nature of fiction. Show all posts
Showing posts with label the nature of fiction. Show all posts

Friday, April 22, 2016

Robert Louis Stevenson: Too simple to be profound?

It often happens that while reading a story or a novel or an essay, which is moderately interesting, the author will say something that stops me immediately.  I go back, read it again, meditate a bit, and move on. Yet, even as I move on, that statement or comment will remain in the background.  And it will remain with me for several days or even longer.  Such is the following brief comment or analogy by Robert Louis Stevenson in one of his essays:

Fiction is to the grown man what play is to the child .  .  .


Robert Louis Stevenson
"A Gossip on Romance"
from The Lantern-Bearers and Other Essays


There are innumerable essays, theses, books on the nature of fiction and its popularity or the reason for its existence.  I think a collection could easily take up several very large bookcases.  I have read a number of essays and have several books gathering dust in my TBR bookcase which I will get to, probably, one of these days. But, Stevenson's brief comment--Fiction is to the grown man what play is to the child .  .  .  so resonates with me that I may never get to those dusty books awaiting me.

"When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things."  We read this in the King James Version of Paul's Epistle to the Corinthians, and it seems to fit.  Many adults put away those childish things, one of which is play, and they become very serious and solemn; life becomes a grim struggle.

But, this isn't true of all, for some (and that includes me), have exchanged that childish play for fiction.  A child at play is lost somewhere in there, and that child is thoroughly wrapped up in the game, whatever it may be.  The child is now on a different plane of existence.    How different is this from when I settle down with a book and travel off to far planets or to the future?  or work out how someone managed to murder a thoroughly nasty character and escape from a locked room?  or follow the destinies of a young man or a young woman who struggles to become a mature adult and not just a carbon copy of the neighbors? 

As a child, the call to "come out and play" was an invitation to another world; as adults, some of us have substituted "Once upon a time.  .  ."