Showing posts with label Taoism. Show all posts
Showing posts with label Taoism. Show all posts
Saturday, September 9, 2017
A Minute Meditation
Outwardly the enlightened seem the same as everybody else. Inwardly, however, their distinctive trait is that they have no goal, but simply allow life to enfold with no concern for where it is going. For them, effort, cunning, and purpose are the results of having forgotten one's true nature.
-- Zi Gong --
from Taoist Wisdom
Timothy Freke, editor
No goal? No plans for the future? Just drift with what is happening at that time? It seems to go against everything we in the West are taught, or so it seems to me.
This sounds strange to me. But, then again, when people asked me long ago what I was going to be when I grew up, I never had an answer. I can look back and see how one thing led to another; however, I never imagined my life would go as it did.
Friday, December 16, 2016
Jane Austen's Fanny Price: A Taoist Sage at Mansfield Park
Jane Austen
Mansfield Park
Jane Austen was born on December 16, 1775 and died on July 18, 1817.
Fanny Price, of Mansfield Park, (MP) is probably the most maligned of Austen's heroines. Just why is not clear to me, but I suspect it's a classic example of imposing 21st century standards on 19th century characters and a misreading of Austen in general. Too many readers fall in love with Liz Bennet's lively, outgoing, and cheeky behavior and therefore insist that all of Austen's heroines be the same. In fact, three of Austen's heroines do fit this category: Liz, of course, Emma (Emma), and to a considerable extent Catherine (Northanger Abbey) , the youngest of the heroines.
But, Austen also has three quiet, more reserved heroines: Elinor (Sense and Sensibility), Anne (Persuasion), and Fanny (MP). What I find interesting, is that, though the heroine is the quiet reserved type, there is another woman who exemplifies the more outgoing lively woman, the "Liz" type if I may so call her. Paired off with Elinor is her sister Marianne, who exemplifies the romantic enthusiastic outgoing follower of sensibility; with Anne is again her sister Elizabeth (interesting choice for her name) who is certainly more outgoing and demonstrative than Anne; and with Fanny, of course, is Mary Crawford, whom some readers want to be the heroine of MP in spite of her selfish, egotistic, insensitive, amoral, and manipulative behavior.
Mary Crawford is Austen's point that being bright, lively, and vivacious does not necessarily make one a good person (notice how many male villains in Austen are the same type), for those are external attributes. Liz is a good person because of what's inside her, not because of how she appears to others. The same is true of Fanny, for it is what is inside her that makes her a good person. What makes Mary a bad person is what's inside of her and those who admire her are those who see the surface only. Telling this sort of critic that you can't tell a book by its cover is a waste of time, for they are enthralled, fooled, duped by external glamour and never get beyond that.
Many commentators have insisted that Fanny shouldn't be the heroine, nor does she deserve to be happily married at the end. She has done nothing to deserve her fate. Mary should be the real heroine and gain Edmund as her reward. Of course, these are the same people who deride Edmund as being dull, uninteresting, and priggish. I can only wonder how they could see Edmund and Mary together. I wonder how long Mary would be a faithful wife to Edmund, a country minister, and also how long her brother Henry, who is the male version of a lively, outgoing, charming suitor, would remain satisfied with the dull, priggish Fanny, as they see her.
One theme in MP that has surprised me is the number of characters in the story who have improved, inexplicably over the length of the novel. In Austen's novels, it's usually the heroine and the hero who have learned something about themselves and have managed to more or less overcome their failings (Emma, I must admit, is a question mark here), but in this novel, a number of other characters, especially in the Bertram family, have developed, more or less, a sense of responsibility and concern for others, which was lacking in the beginning.
It is this that started me thinking. I could find no particular or obvious reason for these changes in the characters. No one lectures them and seldom are they called upon to recognize their shortcomings. The changes seem to happen in a vacuum--mysteriously.
It was about this time, the third or fourth reading of MP, that, from the depths of my sub- or unconscious that there is something Taoist about Fannie's behavior. I wondered how a Taoist might view this novel. I am not an expert in Taoism, but I have read a little ("a little learning is a dangerous thing"), just enough to get me in trouble here. So, I dug out my copy of Laotse's (aka Lao Tzu) Tao Te Ching and found some intriguing characteristics of the Taoist Sage.
I am not saying that Jane Austen deliberately created Fanny as a Taoist Sage or even that she was aware of Taoism. This is simply a view of MP as it might be seen by a Taoist.
THE TAOIST SAGE
Just what is a Taoist sage and how does one recognize one?
Chapter 2
The Sage:one who manages affairs without action, preaches without words, acts, but does not appropriate claim or ownership, and accomplishes but claims no credit.
This clearly could be Fanny as many of her detractors point out that she is far too quiescent for their tastes.
Chapter 9
The Sage retires when the work is done:
Fanny seldom if ever claims credit for what she accomplishes. She does what she is expected to do and says little about it.
chapter 17
But of the best sages, when their task is accomplished and their work is done,
the people will all remark, "We have done it ourselves."
Fanny seldom gets credit for what she does, even though near the end of the novel, Lady Bertram declares she can't get along without Fanny. This is the reason Susan will move to Mansfield Park to take Fanny's place.
Chapter 22
The Sage does not:reveal himself, justify himself, boast of himself, or act proudly.
He acts in accordance with the situation and does not force himself or his ideas on others. He acts as an example for others, so his influence is subtle and non-assertive.
This is true of Fanny. She listens and observes and only expresses an opinion when asked. And, few ask her besides Edmund.
All of the above observations come from the Wisdom of LaoTse, translated and edited by Lin Yutang,
THE CHARACTERS
I mentioned above that many of the characters had undergone significant changes by the end of the novel. Here is a brief description of the major characters at the beginning of the novel and the changes they undergo to reach the place where they are at the end. .
The Prices (Fanny's family)
William
Fanny's brother in the navy who gets necessary sponsorship for promotion from Sir Thomas. Sir Thomas would never have met William if if weren't for Fannie and the impression she made on Sir Thomas.
Fanny
her marriage, far above her class status to Edmund
Susan
Fanny's sister, ends up replacing Fanny at Mansfield Park.
THE BERTRAMS (at Mansfield Park)
Sir Thomas
In the beginning of the novel, he is an absent father and head of the household, and this is true whether he is off in the West Indies or at home. He does not take his proper place as father and lord of the manor. He also knows that his wife is unable or unwilling to play her part, so he allows Aunt Norris to become a dictator and rule his household. Later, though, he suddenly realizes the problems that his family is having are at least partially due to his abdication of responsibility, and he now begins to assert himself as head of household.
Lady Bertram
She seems totally detached from the family. Her main concerns seem to be herself and her dog. Again, near the end, when Tom becomes deathly ill, she rouses herself and spends most of her time at his bedside nursing him. This is a considerable change from her earlier behavior when the reader isn't sure whether she really is aware of anyone, aside from her pet dog, around her.
Tom
The eldest son plays to perfection the role of The Wastrel. He shows no interest in his studies at college, and demonstrates little concern nor for his duties and responsibilities as heir to Mansfield Park. It's party time is his philosophy. Shortly after his illness, he also changes his behavior and settles down at the university and begins to show an interest in his role as heir to Mansfield Park. There is also a hint of marriage, which is a major concern of every well-established family--the heir must marry and produce an heir of his own.
Edmund
While he is a serious and dedicated student, determined to be a good minister to his parish when he takes over, he also is infatuated by Mary Crawford, who would make a most inappropriate wife for the clergyman he wants to be. Again, at the end, he recognizes the folly of his infatuation and gradually comes to realize that Fanny is the woman most suited for him and his role in life.
Maria
The oldest daughter, selfish and self-absorbed, thinks only of herself. She makes a bad choice in her marriage, selecting a suitor who could never be a suitable partner but has a large house and a considerable fortune. For her follies she ends up in exile, supported by Sir Thomas, but banned, at least for now, from Mansfield Park.
Julia
She is strongly influenced by her older sister. Austen seems to suggest she would be a different person if she had a different older sister to model.
Aunt Norris
Sister to Lady Bertram and Mrs. Price (Fanny's mother)
She is the real power in the house. Unfortunately she is also evil, greedy, and malicious. She is the one who most deliberately torments Fanny, reminding regularly of her low position at Mansfield Park, barely one step above the servants. At the end, she realizes that Sir Thomas has recognized his error and has finally become the head of household he should have been long ago, and she elects to go into voluntary exile with Maria.
Mary and Henry Crawford
brother and sister, relatives to the minister at MP. They are bright, outgoing, attractive, as well as shallow, selfish, and self-absorbed. They are classic examples of the cliche that one can't tell a book by its cover. They are very popular at first, but by the end, they have revealed themselves take themselves off to London, perhaps to wonder for the rest of their lives just what they had missed out on.
Mansfield Park is the longest and most complex novel that Austen wrote. It is. in my estimation, the most misunderstood and misread novel as well. Austen's basic tenet, in all her works, is that one must look beneath the surface to determine the true nature of the other, and that true nature may be in opposition to what appears on the surface. I believe that too many readers have taken the surface appearances of many of the characters and stopped there, and therefore missing their true nature.
In any case, read and enjoy. I rank it a close second to Persuasion.
Mansfield Park
Jane Austen was born on December 16, 1775 and died on July 18, 1817.
Fanny Price, of Mansfield Park, (MP) is probably the most maligned of Austen's heroines. Just why is not clear to me, but I suspect it's a classic example of imposing 21st century standards on 19th century characters and a misreading of Austen in general. Too many readers fall in love with Liz Bennet's lively, outgoing, and cheeky behavior and therefore insist that all of Austen's heroines be the same. In fact, three of Austen's heroines do fit this category: Liz, of course, Emma (Emma), and to a considerable extent Catherine (Northanger Abbey) , the youngest of the heroines.
But, Austen also has three quiet, more reserved heroines: Elinor (Sense and Sensibility), Anne (Persuasion), and Fanny (MP). What I find interesting, is that, though the heroine is the quiet reserved type, there is another woman who exemplifies the more outgoing lively woman, the "Liz" type if I may so call her. Paired off with Elinor is her sister Marianne, who exemplifies the romantic enthusiastic outgoing follower of sensibility; with Anne is again her sister Elizabeth (interesting choice for her name) who is certainly more outgoing and demonstrative than Anne; and with Fanny, of course, is Mary Crawford, whom some readers want to be the heroine of MP in spite of her selfish, egotistic, insensitive, amoral, and manipulative behavior.
Mary Crawford is Austen's point that being bright, lively, and vivacious does not necessarily make one a good person (notice how many male villains in Austen are the same type), for those are external attributes. Liz is a good person because of what's inside her, not because of how she appears to others. The same is true of Fanny, for it is what is inside her that makes her a good person. What makes Mary a bad person is what's inside of her and those who admire her are those who see the surface only. Telling this sort of critic that you can't tell a book by its cover is a waste of time, for they are enthralled, fooled, duped by external glamour and never get beyond that.
Many commentators have insisted that Fanny shouldn't be the heroine, nor does she deserve to be happily married at the end. She has done nothing to deserve her fate. Mary should be the real heroine and gain Edmund as her reward. Of course, these are the same people who deride Edmund as being dull, uninteresting, and priggish. I can only wonder how they could see Edmund and Mary together. I wonder how long Mary would be a faithful wife to Edmund, a country minister, and also how long her brother Henry, who is the male version of a lively, outgoing, charming suitor, would remain satisfied with the dull, priggish Fanny, as they see her.
One theme in MP that has surprised me is the number of characters in the story who have improved, inexplicably over the length of the novel. In Austen's novels, it's usually the heroine and the hero who have learned something about themselves and have managed to more or less overcome their failings (Emma, I must admit, is a question mark here), but in this novel, a number of other characters, especially in the Bertram family, have developed, more or less, a sense of responsibility and concern for others, which was lacking in the beginning.
It is this that started me thinking. I could find no particular or obvious reason for these changes in the characters. No one lectures them and seldom are they called upon to recognize their shortcomings. The changes seem to happen in a vacuum--mysteriously.
It was about this time, the third or fourth reading of MP, that, from the depths of my sub- or unconscious that there is something Taoist about Fannie's behavior. I wondered how a Taoist might view this novel. I am not an expert in Taoism, but I have read a little ("a little learning is a dangerous thing"), just enough to get me in trouble here. So, I dug out my copy of Laotse's (aka Lao Tzu) Tao Te Ching and found some intriguing characteristics of the Taoist Sage.
I am not saying that Jane Austen deliberately created Fanny as a Taoist Sage or even that she was aware of Taoism. This is simply a view of MP as it might be seen by a Taoist.
THE TAOIST SAGE
Just what is a Taoist sage and how does one recognize one?
Chapter 2
The Sage:one who manages affairs without action, preaches without words, acts, but does not appropriate claim or ownership, and accomplishes but claims no credit.
This clearly could be Fanny as many of her detractors point out that she is far too quiescent for their tastes.
Chapter 9
The Sage retires when the work is done:
Fanny seldom if ever claims credit for what she accomplishes. She does what she is expected to do and says little about it.
chapter 17
But of the best sages, when their task is accomplished and their work is done,
the people will all remark, "We have done it ourselves."
Fanny seldom gets credit for what she does, even though near the end of the novel, Lady Bertram declares she can't get along without Fanny. This is the reason Susan will move to Mansfield Park to take Fanny's place.
Chapter 22
The Sage does not:reveal himself, justify himself, boast of himself, or act proudly.
He acts in accordance with the situation and does not force himself or his ideas on others. He acts as an example for others, so his influence is subtle and non-assertive.
This is true of Fanny. She listens and observes and only expresses an opinion when asked. And, few ask her besides Edmund.
All of the above observations come from the Wisdom of LaoTse, translated and edited by Lin Yutang,
THE CHARACTERS
I mentioned above that many of the characters had undergone significant changes by the end of the novel. Here is a brief description of the major characters at the beginning of the novel and the changes they undergo to reach the place where they are at the end. .
The Prices (Fanny's family)
William
Fanny's brother in the navy who gets necessary sponsorship for promotion from Sir Thomas. Sir Thomas would never have met William if if weren't for Fannie and the impression she made on Sir Thomas.
Fanny
her marriage, far above her class status to Edmund
Susan
Fanny's sister, ends up replacing Fanny at Mansfield Park.
THE BERTRAMS (at Mansfield Park)
Sir Thomas
In the beginning of the novel, he is an absent father and head of the household, and this is true whether he is off in the West Indies or at home. He does not take his proper place as father and lord of the manor. He also knows that his wife is unable or unwilling to play her part, so he allows Aunt Norris to become a dictator and rule his household. Later, though, he suddenly realizes the problems that his family is having are at least partially due to his abdication of responsibility, and he now begins to assert himself as head of household.
Lady Bertram
She seems totally detached from the family. Her main concerns seem to be herself and her dog. Again, near the end, when Tom becomes deathly ill, she rouses herself and spends most of her time at his bedside nursing him. This is a considerable change from her earlier behavior when the reader isn't sure whether she really is aware of anyone, aside from her pet dog, around her.
Tom
The eldest son plays to perfection the role of The Wastrel. He shows no interest in his studies at college, and demonstrates little concern nor for his duties and responsibilities as heir to Mansfield Park. It's party time is his philosophy. Shortly after his illness, he also changes his behavior and settles down at the university and begins to show an interest in his role as heir to Mansfield Park. There is also a hint of marriage, which is a major concern of every well-established family--the heir must marry and produce an heir of his own.
Edmund
While he is a serious and dedicated student, determined to be a good minister to his parish when he takes over, he also is infatuated by Mary Crawford, who would make a most inappropriate wife for the clergyman he wants to be. Again, at the end, he recognizes the folly of his infatuation and gradually comes to realize that Fanny is the woman most suited for him and his role in life.
Maria
The oldest daughter, selfish and self-absorbed, thinks only of herself. She makes a bad choice in her marriage, selecting a suitor who could never be a suitable partner but has a large house and a considerable fortune. For her follies she ends up in exile, supported by Sir Thomas, but banned, at least for now, from Mansfield Park.
Julia
She is strongly influenced by her older sister. Austen seems to suggest she would be a different person if she had a different older sister to model.
Aunt Norris
Sister to Lady Bertram and Mrs. Price (Fanny's mother)
She is the real power in the house. Unfortunately she is also evil, greedy, and malicious. She is the one who most deliberately torments Fanny, reminding regularly of her low position at Mansfield Park, barely one step above the servants. At the end, she realizes that Sir Thomas has recognized his error and has finally become the head of household he should have been long ago, and she elects to go into voluntary exile with Maria.
Mary and Henry Crawford
brother and sister, relatives to the minister at MP. They are bright, outgoing, attractive, as well as shallow, selfish, and self-absorbed. They are classic examples of the cliche that one can't tell a book by its cover. They are very popular at first, but by the end, they have revealed themselves take themselves off to London, perhaps to wonder for the rest of their lives just what they had missed out on.
Mansfield Park is the longest and most complex novel that Austen wrote. It is. in my estimation, the most misunderstood and misread novel as well. Austen's basic tenet, in all her works, is that one must look beneath the surface to determine the true nature of the other, and that true nature may be in opposition to what appears on the surface. I believe that too many readers have taken the surface appearances of many of the characters and stopped there, and therefore missing their true nature.
In any case, read and enjoy. I rank it a close second to Persuasion.
Sunday, June 21, 2015
The Summer Solstice
I thought I would post this, the first known poem in English about summer today, since it is the Summer Solstice, or the First Day of Summer. No doubt you have seen it before, as I have, but I enjoy it each time for its simplicity and brevity.
Cuckoo Song
Summer is y-comen in,
Loude sing, cuckoo!
Groweth seed and bloweth meed
And spring'th the woode now--
Sing cuckoo!
Ewe' bleateth after lamb,
Low'th after calfe cow;
Bullock starteth, bucke farteth.
Merry sing cuckoo!
Cuckoo, cuckoo!
Well sing'st thou, cuckoo:
Ne swike thou never now!
Sing cuckoo, now! Sing cuckoo!
Sing cuckoo! Sing, cuckoo, now!
-- Anon --
swike--cease
from the Wikipedia entry;
"The song is composed in the Wessex dialect of Middle English. Although the composer's identity is unknown today, it may have been W. de Wycombe. The manuscript in which it is preserved was copied between 1261 and 1264."
Here is one from the other side of the world--China--a poem by T'ao Chien (365-427 AD).
Reading the Book of Hills and Seas
In the month of June the grass grows high
And round my cottage thick-leaved branches sway.
There is not a bird but delights in the place where it rests:
And I too--love my thatched cottage.
I have done my ploughing:
I have sown my seed.
Again I have time to sit and read my books.
In the narrow lane there are no deep ruts:
Often my friends' carriages turn back.
In high spirits I pour out my spring wine
And pluck the lettuce growing in my garden.
A gentle rain comes stealing up from the east
And a sweet wind bears it company.
My thoughts float idly over the Story of King Chou
My eyes wander over the pictures of Hills and Seas.
At a single glance I survey the whole Universe.
He will never be happy whom such pleasures fail to please.
-- T'ai Ch'ien --
from Summer: A Spiritual Biography of the Season
Edited by Gary Schmidt and Susan M. Felch
This is a repeat for I had posted this about three years ago, but I thought it captures the sense of summer--paradoxically a time of work and also play or rest or meditation or just being.
#172 Solstice
"The summer solstice is the time of greatest light. It is a day of enormous power. The whole planet is turned fully to the brilliance of the sun.
This great culmination is not static or permanent. Indeed, solstice as a time of culmination is only a barely perceptible point. The sun appears to stand still. Its diurnal motion seems to nearly cease. Yesterday, it was still reaching this point; tomorrow, it will begin a new phase of its cycle.
Those who follow Tao celebrate this day to remind themselves of the cycles of existence. They remember that all cycles have a left and a right, an up side and a down side, a zenith and a nadir. Today, day far surpasses night, and night will gradually begin to reassert itself. All of life is cycles. All of life is balance."
-- Deng Ming-Dao --
from 365 Tao
While the Summer Solstice inevitably brings to mind the Winter Solstice, the time of the longest night, we shouldn't let that thought spoil our enjoyment of the present. Good times will be followed by sad times, but those sad times are no more permanent than are the good times. The wisest know that nothing is permanent: even the mountains will eventually erode away, and then, in some far distant future, will be raised up once again.
Cuckoo Song
Summer is y-comen in,
Loude sing, cuckoo!
Groweth seed and bloweth meed
And spring'th the woode now--
Sing cuckoo!
Ewe' bleateth after lamb,
Low'th after calfe cow;
Bullock starteth, bucke farteth.
Merry sing cuckoo!
Cuckoo, cuckoo!
Well sing'st thou, cuckoo:
Ne swike thou never now!
Sing cuckoo, now! Sing cuckoo!
Sing cuckoo! Sing, cuckoo, now!
-- Anon --
swike--cease
from the Wikipedia entry;
"The song is composed in the Wessex dialect of Middle English. Although the composer's identity is unknown today, it may have been W. de Wycombe. The manuscript in which it is preserved was copied between 1261 and 1264."
Here is one from the other side of the world--China--a poem by T'ao Chien (365-427 AD).
Reading the Book of Hills and Seas
In the month of June the grass grows high
And round my cottage thick-leaved branches sway.
There is not a bird but delights in the place where it rests:
And I too--love my thatched cottage.
I have done my ploughing:
I have sown my seed.
Again I have time to sit and read my books.
In the narrow lane there are no deep ruts:
Often my friends' carriages turn back.
In high spirits I pour out my spring wine
And pluck the lettuce growing in my garden.
A gentle rain comes stealing up from the east
And a sweet wind bears it company.
My thoughts float idly over the Story of King Chou
My eyes wander over the pictures of Hills and Seas.
At a single glance I survey the whole Universe.
He will never be happy whom such pleasures fail to please.
-- T'ai Ch'ien --
from Summer: A Spiritual Biography of the Season
Edited by Gary Schmidt and Susan M. Felch
This is a repeat for I had posted this about three years ago, but I thought it captures the sense of summer--paradoxically a time of work and also play or rest or meditation or just being.
#172 Solstice
"The summer solstice is the time of greatest light. It is a day of enormous power. The whole planet is turned fully to the brilliance of the sun.
This great culmination is not static or permanent. Indeed, solstice as a time of culmination is only a barely perceptible point. The sun appears to stand still. Its diurnal motion seems to nearly cease. Yesterday, it was still reaching this point; tomorrow, it will begin a new phase of its cycle.
Those who follow Tao celebrate this day to remind themselves of the cycles of existence. They remember that all cycles have a left and a right, an up side and a down side, a zenith and a nadir. Today, day far surpasses night, and night will gradually begin to reassert itself. All of life is cycles. All of life is balance."
-- Deng Ming-Dao --
from 365 Tao
While the Summer Solstice inevitably brings to mind the Winter Solstice, the time of the longest night, we shouldn't let that thought spoil our enjoyment of the present. Good times will be followed by sad times, but those sad times are no more permanent than are the good times. The wisest know that nothing is permanent: even the mountains will eventually erode away, and then, in some far distant future, will be raised up once again.
Friday, June 8, 2012
T'ao Ch'ien: a June poem
Reading the Book of Hills and Seas
In the month of June the grass grows high
And round my cottage thick-leaved branches sway.
There is not a bird but delights in the place where it rests;
And I too--love my thatched cottage.
I have done my ploughing;
I have sown my seed.
Again I have time to sit and read my books.
In the narrow lane there are no deep ruts;
Often my friends' carriages turn back.
In high spirits I pour out my spring wine
And pluck the lettuce growing in my garden.
A gentle wind comes stealing up from the east
And a sweet wind bears it company.
My thoughts float idly over the story of the king of Chou,
My eyes wander over the pictures of Hills and Seas.
At a single glance I survey the whole Universe.
He will never be happy, whom such pleasures fail to please!
-- T'ao Ch'ien --
(Chinese, 365-427)
from Art and Nature: An Illustrated Anthology of Nature Poetry
Common themes found among the hermit poets of China: nature, gardening, reading, isolation--a mix of hard work with ploughing and setting seeds and the relaxation with a book or just seeing. He has friends, but he doesn't encourage them and many find it to hard to visit him. I suspect they choose their places with this in mind.
Perhaps there's a contrast here.to western hermits who went out into the desert and the Wilderness to focus their lives on God. But, I don't remember reading about them with a garden for many depended upon the people nearby to feed them or perhaps animals inspired by God fed them. The focus of the Eastern and Western hermits differed: one solely on the Deity and therefore not on this world and the Eastern hermit on day-to-day living, as well as reading and poetry and the created universe.
In the month of June the grass grows high
And round my cottage thick-leaved branches sway.
There is not a bird but delights in the place where it rests;
And I too--love my thatched cottage.
I have done my ploughing;
I have sown my seed.
Again I have time to sit and read my books.
In the narrow lane there are no deep ruts;
Often my friends' carriages turn back.
In high spirits I pour out my spring wine
And pluck the lettuce growing in my garden.
A gentle wind comes stealing up from the east
And a sweet wind bears it company.
My thoughts float idly over the story of the king of Chou,
My eyes wander over the pictures of Hills and Seas.
At a single glance I survey the whole Universe.
He will never be happy, whom such pleasures fail to please!
-- T'ao Ch'ien --
(Chinese, 365-427)
from Art and Nature: An Illustrated Anthology of Nature Poetry
Common themes found among the hermit poets of China: nature, gardening, reading, isolation--a mix of hard work with ploughing and setting seeds and the relaxation with a book or just seeing. He has friends, but he doesn't encourage them and many find it to hard to visit him. I suspect they choose their places with this in mind.
Perhaps there's a contrast here.to western hermits who went out into the desert and the Wilderness to focus their lives on God. But, I don't remember reading about them with a garden for many depended upon the people nearby to feed them or perhaps animals inspired by God fed them. The focus of the Eastern and Western hermits differed: one solely on the Deity and therefore not on this world and the Eastern hermit on day-to-day living, as well as reading and poetry and the created universe.
Thursday, August 11, 2011
Something to think about:
The mass of people believe their judgements to be their own. They get very offended when it is suggested that they have actually received them ready-made from others and have simply been puppets of popular opinion all their lives. They speak in the current jargon and dress in the latest fashion--not from any personal sense of style but just to fit in. And these servile imitators actually believe they are self-determining. How ridiculous! This is an incurable sickness because people are convinced that they are not suffering from it. It is a universal madness, because everyone is infected. It is, therefore, a complete waste of time for me to try to return people to their own intrinsic instincts. Oh Well!
-- Chuang Tzu --
from Taoist Wisdom
Timothy Freke, editor and trans.
Chuang Tzu seems to believe that this is a universal trait, that all people are this way. I think there are many who simply follow the crowd, but it's hard to distinguish between those who are just trying to fit in and those who have reached the same conclusions on their own. How does one know which is which?
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